Tsukioka Yoshitoshi

I�ve been reviewing a lot of images of Japanese woodblock prints (ukiyo-e) to use in the redesign of Yoshi & Tsuki�s web site. In the process, I found this amazing artist named Tsukioka Yoshitoshi (1839-1892)(check it out, TSUKIoka YOSHItoshi!). His name is just sort of an odd coincidence, but his art is very unlike that of his contemporaries. At times, his works almost border on surrealism. I would encourage anyone with an interest in Japanese art to have a look at his works that are available at Wikimedia Commons.

Though not particularly surreal, these are the prints that have received Yoshi & Tsuki�s seal of approval:

The Moon on Musashi Plain (Mushashino no tsuki)
From the series: One Hundred Aspects of the Moon (Tsuki hyakushi)
April 1, 1892

The four final prints of the One Hundred Aspects of the Moon were published in April 1892, but all of them had been designed and printed earlier. This picture of a vain vixen admiring herself in a pool was printed at the beginning of 1891, more than a year before it was issued. Foxes were thought to take human shapes, and Yoshitoshi had designed an earlier picture in the Moon series of a transformed fox returning to his own form (see The Fox Cry below). The fox�s preening gesture in this print still seems quite human. The shadows in the print were hand-painted on the woodblock, and their pattern and intensity varies from impression to impression.

Source of descriptive information: Keyes, R. & Kuwayama, G. (1980). The Bizarre Imagery of Yoshitoshi: The Herbert R. Cole Collection. Museum Associates of the Los Angeles County Museum of Art. Los Angeles: California.

The Fox Cry (Konkai)
From the series: One Hundred Aspects of the Moon (Tsuki hyakushi)
January 1886

Konkai, meaning the cry of a fox, is the title of a kyogen, a comic interlude performed between Noh plays. In the story, an old fox, tired of being hunted, disguises himself as an old priest named Hakuzosu, known for his fondness for foxes. The fox visits the priest�s nephew, a hunter in the region, and speaks to him about the virtues of foxes and the punishments that await those who take life. He leaves satisfied that he has convinced the man. On the way home he begins to change back into a fox and thus loses the capacities of foresight and reason. A baited trap looks suddenly attractive, and he takes the bait and is caught. Yoshitoshi shows the stooped and elderly priest walking home by moonlight and beginning to change back into a fox.

Source of descriptive information: Keyes, R. & Kuwayama, G. (1980). The Bizarre Imagery of Yoshitoshi: The Herbert R. Cole Collection. Museum Associates of the Los Angeles County Museum of Art. Los Angeles: California.

The Fox Woman Kuzunoha Leaving Her Child (Kuzunoha-gitsune doji ni wakarumu no zu)
From the series: New Forms of Thirty-Six Ghosts (Shinkei sanjurokkaisen)
1890

The young nobleman, Abe no Yasuna, on his way to visit a shrine in Shinoda, in Settsu Province, encounters a young military commissioner who is hunting foxes in order to obtain their livers for use as medicine. Yasuna battles the hunter, sustaining several wounds in the process, and sets free the white fox he had trapped. Afterward, a beautiful woman named Kuzunoha comes along and helps him return to his home.

Yasuna and his son search Shinoda for Kuzunoha, and eventually she appears to them as a fox. Revealing that she is the kami, or deific spirit of Shinoda shrine, she gives her son, Seimei, the power to comprehend the language of beasts.

Source of descriptive information: Wikipedia